The birthplace of the TCU – The Conjuring Universe – it’s easy to forget just how great James Wan’s The🤑 Conjuring really is. Disinterested in subverting the ‘demonic possession’ subgenre, Wan instead delves into the casefiles of real life paranormal🤑 investigators Ed And Lorraine Warren (Patrick Wilson and Vera Farmiga – perfectly paired) to tell a character-driven story about a🤑 family whose farmhouse home has been invaded by the devil. The plot may be nothing new, but Wan’s approach –🤑 gently guiding us into the Warrens’ world, establishing their love for one another, and then pitting their faith in each🤑 other and God against an entity tearing their family apart – is nothing short of masterful. A precision-tooled exercise in🤑 tension and release, by the time the resident evil does surface at the film’s climax, it’s almost a relief.
Though perhaps🤑 creaky by today's standards, Tod Browning's Dracula remains seminal for its place in horror history, as well as for its🤑 eerie central performance by Bela Lugosi and the scene-stealing of Dwight Frye. The film is strongest in its opening stretch,🤑 as Frye's Renfield visits the stunning, colossal set of Dracula's castle, meets the sombre count – dwarfed by his cobwebbed🤑 surroundings – and falls foul of the vampire's ethereal brides: a sequence of exquisite beauty. Subsequently it's a bit more🤑 plodding, and the ending is oddly rushed. But there are still unforgettable elements along the way. Well worth watching with🤑 Philip Glass' 1999 score – unless you prefer the almost-silence of the original.
Somewhat like Aliens, Neil Marshall's masterstroke here is🤑 in keeping the monsters off screen for a good hour. And after the almost unendurable cave-bound claustrophobia of the first🤑 half, it's almost a relief when they finally show up to provide a more solid, familiar focus for the audience's🤑 fear. Before that comes an unbearably tense series of character clashes and potholing injuries: a pressure-cooker building to a head🤑 of steam that brutally climaxes with a shocking accident and the full reveal of... well, we won't spoil it for🤑 those who haven't explored the depths themselves. From then on it's intense action all the way to a devastating conclusion.🤑 American audiences got an upbeat ending from which the sequel continues. Here in the UK, the final moments are horrifyingly🤑 bleak.
Read the Empire review here.
4) The Thing (1982)
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"Dean was always going to end up in Heaven, and we were always going to see Sam's🎅 life in fast-forward," Dabb revealed online, explaining that the basic premise of the series finale remained the same.
The CW ordered 22 episodes🎅 for the season, but interference from the 2007 08 Writers Guild of America strike ultimately limited the season to 16🎅 episodes. Some storylines were thus postponed, which Kripke felt ultimately benefited the season by forcing the writers to focus on🎅 saving Dean.
