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Power pop is a more aggressive form of pop rock that is based on catchy, melodic hooks🧾 and energetic moods. AllMusic describes the style as "a cross between the crunching hard rock of the Who and the🧾 sweet melodicism of the Beatles and the Beach Boys, with the ringing guitars of the Byrds thrown in for good🧾 measure".[3] Virtually every artist of the genre has been a rock band consisting of white male musicians who engaged with🧾 the song forms, vocal arrangements, chord progressions, rhythm patterns, instrumentation, or overall sound associated with groups of the mid-1960s British🧾 Invasion era.
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Velvet Crush's Ric Menck credited Nirvana with ultimately making it "possible for people like Matthew [Sweet] and the🧾 Posies and Material Issue and, to some extent, us to get college radio play."[17] As power pop "gained the attention🧾 of hip circles", many older bands reformed to record new material that was released on independent labels. Chicago label The🧾 Numero Group issued a compilation album called Yellow Pills: Prefill, featuring overlooked pop tracks from 1979-1982. For the rest of🧾 decade, AllMusic writes, "this group of independent, grass-roots power-pop bands gained a small but dedicated cult following in the United🧾 States."[3]
In 1998, International Pop Overthrow (IPO)—named after the album of the same name by Material Issue—began holding a yearly festival🧾 for power pop bands. Originally taking place in Los Angeles, the festival expanded to several locations over the years, including🧾 Canada and Liverpool, England (the latter event included performances at the Cavern Club). Paul Collins of the Beat and the🧾 Nerves hosted the Power Pop-A-Licious music festival in 2011 and 2013, featuring a mixture of classic and rising bands with🧾 an emphasis on power pop, punk rock, garage and roots rock. The concerts were held at Asbury Lanes in Asbury🧾 Park, New Jersey, and the Cake Shop in New York City. Paul Collins and his group the Beat headlined the🧾 two-day events.[46]
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